Stećci

Nenad M. Đorđević an independent researcher of ancient cultures and mythology on the territory of Bosnia and Herzegovina, believes that tombstones historically don't belong to the church of Bosnia, as the most dominant religious institution during the middle ages in Bosnia, nor to the catholic or orthodox church. He claims that the origin of the tombstones is much older than Middle Ages and that it spans into the period from Neolith and the beginning of the bronze era, between 7000 and 3500 years BCE.
According to Mr. Đorđević today's hypothesis about medieval origins of the tombstones is based solely on partial historical and archaeological data which were available to the academic stipend during the first few centuries after WWII. With regard to the theory about Bogomil and Patarene origin of the tombstones, it is not based on historical or scientific facts, since the followers of Bogomil religion generally rejected wealth and feudal exploitation of state government.
Bogomils also categorically refused the Orthodox Church and its hierarchy, its temples, sacraments and holiness performed by priests. Numerous reports sent to the pope spoke of this; like the one written by one of the four grand inquisitors, which were declared to be saints by the Roman church, Capistran (Giovanni de Capistrano), also known as an expert in heresy. In his letter to pope Callixtus III 04.07.1455 he wrote: "Bosnian Bogomil's (krstjani, Bošnjani) are not members of the Eastern Church, on the contrary, they would much rather die in their unbelief than accept the faith of Rašan (Serbs)."
In a similar sense they rejected all material objects which were used by the orthodox during their prayers and they condemned the use of icons, especially the cross, and the worship of relics or saints. Bogomils and Patarens were mostly religious preachers, indifferent to worldly affairs. Mass production of tens of thousands of monolith tombstones with rich decorative motifs is in total contradiction with the modest religious doctrine of the Bogomils and Patarens.

Bogomils had a similar aversion towards the Catholic Church. Pope John XXII writes on July 18th 1319 to Mladen Šubić ".that the land of Bošnjani is so tainted by the lack of faith, that the churches are neglected, priesthood is uprooted, Christ's sacred objects are scornfully trampled, there is no respect towards the cross, the sacrament of communion life is not upheld, on the contrary christening is to some only known as a noun, even though it is the basis of the Christian religion."
As an interesting fact we should mention that the Bogomil movement appeared in Bosnia before the 12th century, as some historians have postulated, and it spread from this land further west. Dominican Anselmo from Alessandria in Italy, who lived and worked during the 13th century, in one of his writings mentions that "the heretics were first located in Bosnia from where they spread their doctrine towards Lombardi, then further towards France, where it arrived in Orleans in 1022 and Arras in 1025 (A.Dondaine, Le Tractatus de hereticis d`Alexandrie, Arch. Fr. Praedic, XX, Rome 1950., p. 308-324.)
Because of the aforementioned facts we can conclude that tombstones are not a privilege of the church of Bosnia, or even less of orthodox or catholic Christianity, but that they had their ancient origin as a sacral motif of the cult of fertility and cult of the dead. Namely, from 70 000 registered tombstones, only 5000 have decorative motifs. From those 5000 decorated tombstones only 438 have as their main decorative element different types of crosses. This means that the most important religious symbol which is potentially subject to various churches, together with other variants of tombstones in the form of a cross, doesn't represent even 20% of decorated tombstones. The question that spontaneously rises from these facts is: how is it possible that the most representative symbol of both, Roman Catholic and Eastern Orthodox Church only encompasses such a small number of tombstones? If with previous facts we add that most of the crosses on the tombstones are of pagan origin in a form of a swastika or anthropomorphic shape, then there can only be one logical conclusion - tombstones are not an exclusive privilege of medieval churches and cultures. Even though there are numerous proofs that tombstones were used as gravestones for catholic and orthodox Christians, and there are even some indications that a discrete number of tombstones were manufactured during the middle ages, reuse of numerous tombstones during the middle ages cannot be excluded in advance.

Illyrian heritage in Bosnia and Herzegovina

The mystical world of Bosnian people has in itself, besides its uniqueness, a rich religious-magical concept infused with shamanism. When we analyse the majority of registered beliefs we come to a unique entity which reveals a fascinating fact of how much the Bosnian people were linked with nature and its forces throughout their long history. Since the ancient times Bosniaks believed that each man had his own star in the sky, headquarters of the soul, and on Earth a snake, guardian of the house and family, his/her tree and stream and in the underworld a zviždenjak. Some anthropologists tried to classify all of the above mentioned elements into a thesis about human doppelgangers (astral, vegetable and animal), regardless of the fact that their lives and existence are completely independent from that of the human and they have no connection to him except in certain situations, i.e. the ones that deal with death. For that fact this presumption is completely irrelevant and unfounded. However, in the mystical connection of mankind and nature we notice a dominant influence of fatalism, which is common to all Mediterranean people and cultures, in combination with the Illyrian cult of the snake.

Traditional legends about the close connection of certain reptiles with humans can be separated into 4 chapters after an analysis of Bosnian mythology:

-about the snake, guardian of the house and family,

-snake which can enter a human and live inside its body for certain amount of time,

-about sexual contacts between dragons and women and the birth of snijet, baby dragon,

-and about zviždenjak and its devouring of a human corpse.

All of the above mentioned chapters are actually segments of a single cult of snake, a totem animal of our ancestors. Besides serving as a totem symbol the snake represented to the Illyrians the highest deity whose spirit permeates the entire nature and universe which is especially well reflected in the belief that a large snake stretches around the entire globe, creating a ring with its body. According to ancient belief the snake was created 40 years prior to any other animal and human which is the reason that her role is especially prominent in the cult of the Grand Mother. Namely, a snake, or in its celestial form a dragon, is a classic symbol of fertility. In Bosnian tradition the connection of a snake with a dragon can be connected to the personified idea of vegetative cycles analogous to the ones from Greco-Roman mythology. A dragon actually makes a circular journey, he exits earth from water, flies through to another location where he enters a pit, a hole and reappears after a certain period

Cult of zviždenjak

Animism, which is inseparable from shamanism is evident in many segments of Bosnian folk religion in whose auspice the longest living cults, which got their religious sense from the Illyrians, embedded their beliefs into the collective consciousness of Bosniaks. The cult of zviždenjak (Salamandra salamandra) among the Bosnian people is closely linked to the cult of the snake and the belief in dragons. The name zviždenjak was given to this lizard since people believed that his scream or whistle could instantly make you deaf. He is also called družđ or diževnjak.

Based on the ancient Bosnian belief we can conclude that in fact zviždenjak is a miniature form of a dragon on earth. Its yellow colour with black spots faithfully depicts Illyrian legend about the god of evil, a large black dragon, who managed to swallow two suns in the sky while the third sun was saved by a swallow. People still today believe that the yellow colour between the black spots represents traces of the two suns that he swallowed. The concept of swallowing in this legend is analogous to the devouring of a dead human body by a zviždenjak and this imposes a conclusion that a dragon feeds of life energy which he gives back to nature in its vegetative or even reincarnating cycle, all the while waking new life in nature itself.

Although in its miniature form zviždenjak has the power to hurt any human that tries to hurt him. Namely, still today it is believed that if someone disturbs or steps on a zviždenjak he can become deaf from zviždenjak scream. It is also connected to rain among the folk since according to folk belief it appears before rain or immediately after it.

Besides obvious fear of seeing a zviždenjak and the belief that this reptile is the messenger of rain, there is no classic divination among the folk about a chance meeting with this animal according to which someone's fortune or misfortune is predicted, as is the case with the fox, rabbit, wolf and the like. Analogous with the snake, the beliefs about zviždenjak are also contradictory; in some, respect is shown to it and in others it is suggested that one should throw a curse on it: "God willing, if you are mine, you should die before me!" or to even undertake more rigorous measures i.e. to kill it. In Kakanj it is believed that it is best to kill zviždenjak 40 days prior to one's own death?! The reason for such behaviour according to belief stemming from Glamoč, Livno, Kupres and Mrkonjić Grad, is that a zviždenjak enters a dead man's body through his mouth and spoils his physical purity, and it is a good deed to kill it. Killing a zviždenjak is in opposition with the attempts of certain anthropologists and ethnologists to proclaim a zviždenjak as man's animal doppelganger, since if that was the case, killing this animal would be forbidden and would represent a great sin.

According to a belief among the Bosnian people each man has his own zviždenjak, although it remains an unknown if one gets him during birth or it appears during one's lifetime. When a man dies, the third day after the funeral, zviždenjak visits that man inside the grave. If the man was sinful during his lifetime, zviždenjak will start devouring him from his nose, but if the man was noble then it will only lay beside that person. That's why one shouldn't kill zviždenjak, if one sees him on a road it is advisable to take it with your hand and place it across the road or onto a meadow. This act of kindness can be connected with a human's attempt to propitiate his afterlife companion so that he will spare him.

In another belief it is mentioned that after a man's death a zviždenjak will visit his sahibija (master) in the grave to welcome him and he will start devouring the cadaver from his big toe. It is interesting to mention that among the Bosnian people it is believed that after a man dies and is buried, at one moment the soul returns into his dead body, entering through the toes, which results in resuscitation of the body but also shock and fear which cause a man to try and get up, he then hits his head on the wooden beams above his head and dies again. That's why we can presume that a zviždenjak starts devouring the body from the toes in order to stop him from reviving; or this act can have a mythological depiction as "life devouring" or taking away life energy from someone.

Besides eating humans from the toes, people in certain parts of Bosnia believe that a zviždenjak eats a man's nose or eyes as soon as he enters a grave. Since eyes are, according to belief, god's gift to humans and are as such holly, which also supports another belief which claims that there is no greater sin then a man swearing by his eyes, we can conclude then that a zviždenjak always goes after tabooed parts of the body. According to folk belief god had the most trouble with creating a nose, and that's why making fun of someone's nose is considered to be a great sin. Analysing the above we come to a conclusion that a zviždnejak's task is to devour a man's toes in the grave (in order to stop him from reviving), or nose and then drinks his eyes i.e. to take away his heavenly gift after which the body will be completely lifeless and without any divine sanctity. By that the human body becomes a clod of earth, from which it was created.

In the myth about the black dragon and his devouring of the sun or moon, we notice the hunger of this being for all that which sparks and has a divine characteristic. The attack of darkness and evil on light and good is an anthological tradition about two universal principles through whose interaction, creation, destruction, life and death are possible. As zviždenjak represents a miniature dragon his devouring of evil people inside a grave can be seen as an act of feeding a dragon who needs strength from evil. This is clearly visible in those parts of belief which accentuates that zviženjak starts devouring the body at the beginning or end of the body, i.e. at the places considered holly. Besides zviždenjak in the Bosnian tradition it is believed that a snake visits a dead person inside a grave and devours him and in such a way he becomes a part of it. This fits perfectly into the Illyrian myth about the great grandfather of the Illyrians which turns into a snake after he dies.